A revised version of my inkling. I’ve been increasingly using dualies in Splatoon 2 over my beloved inkbrush. I’m not covering as much ink, but it allows me to be a bit more wily, which is really what my original appeal of the brush is anyway. Once I’m done farming my abilities, I’ll be hitting ranked pretty heavily with them.
I liked the spots on the “hair” – they’re like reverse freckles. And of course, like all my characters, my inkling is yet another redhead. And the reverse freckles make the regular freckles more fun! I guess. Whatever. I know I’m stuck on this one little detail a little too much.
Sartris’s comic spans the majority of his lifetime. So there’s several designs that go into a single character, particularly Sartris, as it spans the decades. Here’s an older version of him.
Not to give too much away, the white streak is from lightning, though no reason it couldn’t be from aging, too. But serious, it’s from a lightning strike.
* AUTHOR’S NOTE: Starting this year, I’ll be starting a series of blogs about cartoons, comics, and other visual media that has influenced me – think of this as a small peak into the madness inside my own head.
Porky in Wackyland… Oh, what to say and where do I start with this cartoon?
I can’t think of any cartoon that exemplifies more just what draws me to cartoons in general than Porky in Wackyland. I’m likely parroting a large number of people when I call it Bob Clampett’s finest work. And frankly, this cartoon scared the hell out of me as a kid, but the more I watched it the more it grew on me and warped my fragile little mind.
There’s so much going on, particularly in the first four minutes, that I dont really a recap of the picture is particularly appropriate; plot is minimal and the entire thing is built of a manic pace of surreal images. The film builds its entire premise on building something up, then doing the unexpected, or just plain bizarre to begin with. There’s a small undercurrent of satire, but each example is confined to its specific gag and doesn’t detract from anything else in the film.
In short? Its a masterpiece.
Wackyland plays a huge part of the style in Jason in a Strange Land, and for some imagery and stylistic issues in how I planned on handling Razzle cartoons. While it’s hard to duplicate something like Clampett’s manic pacing in a comic, the throwaway satire was planned for Razzle, and the backgrounds for both cartoons would have been (or are, in Jason’s case) extremely surreal. As I plan the next chapter in Jason In a Strange Land, I am consistently looking back on this cartoon, and this was in fact, the inspiration for writing this series.