I watched a metric ton of this show when I was in middle and high school. Reluctant to really get into it at first, my cousin helped get me into this early in the show’s run one Thanksgiving day. It took me a few episodes to really “click” on what was going on, but I realized this was as close to a good, modern day revival of the Looney Tunes format we were going to get.
While that may not exactly sound like glowing praise, allow me to explain — I don’t like things that purely emulate or revive something. Animaniacs stood very, very well on its own and still paid homage to classic Warner Bros animation, without focusing on too much. And it did this much better than Tiny Toons; while Tiny Toons was decent, it was still derivative. Animaniacs paved a lot of new territory, its characters were all new territory. The shows concept, while thin, held together (lost, classic cartoon characters escape confinement, hijinks ensue).
I like large ensemble casts when done well. (There are several examples of this: Looney Tunes/ Merry Melodies, Bloom County, to name a couple), but it’s important that each character stand well on its own. There can be exceptions to this; Mr. Skullhead isn’t exactly a well developed character, but the gags always work. (And yes, my favorite character is by far Wakko, so much so, I spent years honing my impression of him. I’m a blast at parties.)
Razzle is one character who undoubtedly was influenced by this cartoon. Her design is very much akin to the Warner Bros – far more than I intended, to be quite frank. The original notion of the set up with Razzle was to be more akin to 20s/30s animation; but let’s face it; so were Yakko, Wakko and Dot.
I’m pretty sure I’m not alone on liking Animaniacs — if I was, it certainly wouldn’t be rebooted. I could probably talk ad nauseum about the show (I didn’t even touch the music on the show, which is amazing to say the least), but it wouldn’t be anything that wasn’t already covered anyway by so many other people. Warner Bros. (and the Warner Sister) animation is fairly influential on what I’ve done, and let’s face it – this is a golden, modern example of that, and I’m glad it’s coming back.